tag:jeewonpark.com,2005:/blogs/newsNews2018-04-13T07:53:57-04:00Pianist Jeewon Parkfalsetag:jeewonpark.com,2005:Post/15217902016-03-01T14:20:24-05:002023-10-16T10:45:34-04:00Reviews<p><strong><span style="font-size: large;"><span class="font_regular">Masterworks starts its season in Old Lyme with dramatic fashion</span></span></strong><br><em><span style="font-size: large;"><span class="font_regular">The Day</span></span></em><br> </p>
<div>Saturday’s trio of musicians at Musical Masterworks offered something of a delayed encore of one of the chamber music series’ most memorable concerts, reuniting pianist Jeewon Park, violinist Tessa Lark and series artistic director and cellist Edward Arron. <a contents="(Read more...)" data-link-label="" data-link-type="url" href="http://www.theday.com/article/20141025/ENT10/141029838/0/search" target="_blank">(Read more...) </a>
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<p><br><strong><span style="font-size: large;"><span class="font_regular">Sunday's Schubert proves sublime</span></span></strong><br><span class="font_large"><em>Rutland Herald</em></span><br><br>Park is a New York pianist who often performs in Vermont at Soovin Kim’s Lake Champlain Chamber Music Festival and Randolph’s Central Vermont Chamber Music Festival, as well as this series. She delivered her part Sunday not only expertly with excellent balance, she also complemented the other two beautifully. In Debussy’s popular “Clair de Lune” for solo piano, which opened the program, she played with a tonal beauty and rhythmic understanding that achieved its ultimate grandeur. <a contents="(Read more...)" data-link-label="" data-link-type="url" href="http://rutlandherald.com/article/20140114/NEWS03/701149917" target="_blank">(Read more...)</a><br><br><span style="font-size: large;"><strong>Masterworks opens with an amazing journey</strong></span><br><i><span style="font-size: medium;">The Day</span></i><br><br><span style="font-size: small;">Pianist Park was very much at the center of this lively program. Her sense of dynamics, coloristic effects and sheer delight carried the evening and supported the virtuosity of three musicians with whom she shared the stage. Park channeled his signature coloristic effects and elegance to charm, soothe and propel the trio performance to a standing ovation.</span><span style="font-size: small;"> </span><a href="http://www.theday.com/article/20121027/ENT10/121029730/0/SEARCH" target="_new"><span style="font-size: small;">(Read more...)</span></a><br><br><b><span style="font-size: large;">Piano and Cello in Beethoven Dialogues </span></b><br><i><span style="font-size: large;"><span style="font-size: medium;">The New York Times</span></span></i><br><br><span style="font-size: small;">He and Ms. Park play together with spirited responsiveness; her tone was full and her line fluid. </span><a href="http://www.nytimes.com/2012/09/11/arts/music/edward-arron-and-jeewon-park-play-beethoven-at-bargemusic.html" target="_new"><span style="font-size: small;">(Read more...) </span></a><br><br><b><span style="font-size: large;">Britten dazzles at Seattle Chamber Music Festival</span></b><br><i><span style="font-size: medium;">The Seattle Times</span></i><br><br><span style="font-size: small;">In their hands, “Marcia (Energico)” was similarly feisty as its fierce march atomized into a fairy dust of tinkling piano keys and curling cello harmonics. The sparkling moto perpetuo that closes the piece — breathless at first, then increasingly percussive — instantly brought the audience to its feet.</span> <a href="http://seattletimes.com/html/thearts/2021403124_chamberbrittenreviewxml.html" target="_new"><u><span style="font-size: small;">(Read More...) </span></u></a><br><br><b><span style="font-size: large;">The House Band Amid the Artwork<br>Metropolitan Museum Artists’ 10th-Anniversary Concert</span></b><br><span style="font-size: medium;"><i>The New York Times</i></span><br><br><span style="font-size: small;">The succinct program, played without an intermission, concluded with a lithe, effervescent account of Beethoven’s Piano Quartet in E flat (Op. 16).</span> <a href="http://www.nytimes.com/2013/04/03/arts/music/metropolitan-museum-artists-10th-anniversary-concert.html" target="_new"><u><span style="font-size: small;">(Read More...) </span></u></a><br><br><br><span style="font-size: large;"><b>Grace Rainey Rogers Auditoirum, Metropolitan Museum of Art</b></span><br><span style="font-size: medium;"><i>ConcertoNet.com</i></span><br><br><span style="font-size: small;">The final Beethoven early Piano Quartet was a triumph for all four musicians. Yet it was pianist Park who trumped the other three players. Beethoven, who I suppose, played the original piano part, gave himself the most difficult runs and solos, and Ms. Park’s performance was more than adept: it was ravishing in execution, radiant in timbre.</span> <a href="http://www.concertonet.com/scripts/review.php?ID_review=9080" target="_new"><u><span style="font-size: small;">(Read More...)</span></u></a><br><br> </p>Pianist Jeewon Park